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Image: Courtesy of the Barjeel Art Foundation</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/09/resize300x360_e6e652d50e5d6f86c310d3ded7074c8d_27056d1dcd3d14fefff82049f5f3a7e41671x2000_quality99_o_1asnatgrl1t3t1i7hodj12ct1k644i.jpg</image:loc><image:title>resize300x360_e6e652d50e5d6f86c310d3ded7074c8d_27056d1dcd3d14fefff82049f5f3a7e41671x2000_quality99_o_1asnatgrl1t3t1i7hodj12ct1k644i</image:title><image:caption>Shakir Hassan, Jala Aidun (Evacuation, We Will Return) (1983). Image: Courtesy of the Barjeel Art Foundation</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/09/c3170cb692595287609d29a6ab4a4862_0aa2c7091b38ee07bb11bfe4e51251552000x1419_quality99_o_1asnaqfoqvb9104l1un1jhn13joa.jpg</image:loc><image:title>c3170cb692595287609d29a6ab4a4862_0aa2c7091b38ee07bb11bfe4e51251552000x1419_quality99_o_1asnaqfoqvb9104l1un1jhn13joa</image:title></image:image><lastmod>2016-09-25T14:24:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/08/23/palestinian-dance-troupe-badke-head-to-the-uae/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/06/screen-shot-2015-07-13-at-10-21-46.png</image:loc><image:title>Screen-Shot-2015-07-13-at-10.21.46</image:title></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/06/badkec2a9dannywillems03-1200x800-700x467.jpg</image:loc><image:title>Badke©DannyWillems03-1200x800-700x467</image:title><image:caption>Badke © DannyWillems</image:caption></image:image><lastmod>2016-09-25T14:22:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/08/17/qatar-to-stage-largest-ever-solo-exhibition-of-works-by-an-arab-artist/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/08/3293e4d633283a098425d7239f191205_35bed5a17dc453c869869b8234bd52b41790x2000_quality99_o_1apnfieuef9tcsp1oimucg4q5a.jpg</image:loc><image:title>3293e4d633283a098425d7239f191205_35bed5a17dc453c869869b8234bd52b41790x2000_quality99_o_1apnfieuef9tcsp1oimucg4q5a</image:title><image:caption>Dia Al-­Azzawi (Image: © Anthony Dawten)</image:caption></image:image><lastmod>2016-08-17T21:22:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/07/18/what-about-the-art-the-state-of-art-in-qatar/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/07/screen-shot-2016-07-18-at-13-33-19.png</image:loc><image:title>Screen Shot 2016-07-18 at 13.33.19</image:title><image:caption>STARGATE by Pia MYrvoLD at Level 29 'Art Lab' for the NYT Art For Tomorrow Conference 2016, Doha</image:caption></image:image><lastmod>2016-08-17T21:52:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/06/30/dignity-through-music-an-interview-with-karamas-soufian-saihi/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/06/untitled12-700x700.png</image:loc><image:title>Untitled12-700x700</image:title><image:caption>Karama</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/06/untitled4.jpg</image:loc><image:title>Untitled4</image:title><image:caption>Karama, One Year in London, 2011</image:caption></image:image><lastmod>2016-06-30T15:45:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/06/15/five-offbeat-art-spaces-to-seek-out-in-istanbul/</loc><lastmod>2016-06-15T19:28:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/06/08/california-landscapes-resonate-in-london-interview-with-etel-adnan/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/06/resize540x360_e6e652d50e5d6f86c310d3ded7074c8d_71b3fdbacf923cced1e497c625fd1c922000x1333_quality99_o_1ak5pn1ia11tv156c8rethk30n77.jpg</image:loc><image:title>resize540x360_e6e652d50e5d6f86c310d3ded7074c8d_71b3fdbacf923cced1e497c625fd1c922000x1333_quality99_o_1ak5pn1ia11tv156c8rethk30n77</image:title><image:caption>Etel Adnan. Untitled (1995-2000). Courtesy of the artist and Sfeir-Semler Gallery, Hamburg/Beirut</image:caption></image:image><lastmod>2016-06-08T01:10:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/05/26/palestinian-museums-first-satellite-show-opens-in-beirut/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/05/contemporary-embroidery-from-at-the-seams-photo-christian-moussa-for-the-palestinian-museum.jpg</image:loc><image:title>Contemporary-Embroidery-from-At-the-Seams.-Photo-Christian-Moussa-for-The-Palestinian-Museum</image:title><image:caption>Contemporary Embroidery from At the Seams. Photo: Christian Moussa for The Palestinian Museum. Courtesy of Dar El-Nimer for Arts and Culture.</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/05/intifada-dresses-from-at-the-seams-photo-christian-moussa-for-the-palestinian-museum.jpg</image:loc><image:title>Intifada-Dresses-from-At-the-Seams.-Photo-Christian-Moussa-for-The-Palestinian-Museum</image:title><image:caption>Installation view of the Intifada dresses from At the Seams. Photo: Christian Moussa for The Palestinian Museum. Courtesy of Dar El-Nimer for Arts and Culture.</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/05/1970s-dress-from-at-the-seams-photo-christian-moussa-for-the-palestinian-museum.jpg</image:loc><image:title>1970s-Dress-from-At-the-Seams.-Photo-Christian-Moussa-for-The-Palestinian-Museum</image:title><image:caption>1970s Dress from At the Seams. Photo: Christian Moussa for The Palestinian Museum. Courtesy of Dar El-Nimer for Arts and Culture.</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/05/abdulrahman-al-muzzayen-salam-1978-oil-on-canvas-82-5-x-62-5cm-from-the-collection-of-rula-alami-photo-christian-moussa-for-the-palestinian-museum.jpg</image:loc><image:title>Abdulrahman-al-Muzzayen,-Salam,-1978,-oil-on-canvas,-82.5-x-62.5cm-from-the-collection-of-Rula-Alami.-Photo-Christian-Moussa-for-The-Palestinian-Museum</image:title><image:caption>Abdulrahman al-Muzzayen, Salam, 1978. Oil on canvas. 82.5 x 62.5cm. From the collection of Rula Alami. Photo: Christian Moussa for The Palestinian Museum. Courtesy of Dar El-Nimer for Arts and Culture.</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/05/historic-thobbs-from-at-the-seams-photo-christian-moussa-for-the-palestinian-museum.jpg</image:loc><image:title>Historic-Thobbs-from-At-the-Seams.-Photo-Christian-Moussa-for-The-Palestinian-Museum</image:title></image:image><lastmod>2016-05-26T10:28:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/04/14/d-caf-downtown-cairo-art-festival-2016/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/04/french-consulate.jpg</image:loc><image:title>French Consulate</image:title><image:caption>The French Consulate in Downtown Cairo is one of the many D-CAF venues. Image courtesy of D-CAF.</image:caption></image:image><lastmod>2016-04-14T15:40:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/04/02/qa-with-el-seed-changing-perceptions/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/04/15-el-seed.jpg</image:loc><image:title>15. eL Seed</image:title></image:image><lastmod>2016-04-14T15:28:07+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/03/29/d-sisyphe-decisif-constructing-a-better-future-for-tunisia/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/03/untitled5-700x433.png</image:loc><image:title>Untitled5-700x433</image:title><image:caption>D-SISYPHE © Dahlia Katz</image:caption></image:image><lastmod>2016-04-14T15:25:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/03/07/shahba-an-interview-with-hello-psychaleppo/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/03/screen-shot-2015-07-13-at-19-29-31-700x363.png</image:loc><image:title>Screen-Shot-2015-07-13-at-19.29.31-700x363</image:title><image:caption>Still from Shahba, Hello Psychaleppo</image:caption></image:image><lastmod>2016-03-08T08:24:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/02/14/interview-with-el-seed/</loc><lastmod>2016-02-14T14:43:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2015/11/03/studio-daze/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/11/algerian-postcard-1.jpg</image:loc><image:title>Algerian-postcard (1)</image:title><image:caption>An early 20th century French Scenes and Types postcard of an Algerian girl published by Lehnert and Landrock</image:caption></image:image><lastmod>2016-02-14T14:41:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2015/11/09/ara-b-less-an-interview-with-riffy-arts-collective/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/11/ara-b-less.jpg</image:loc><image:title>ara-b-less</image:title><image:caption>Ara-B-Less poster</image:caption></image:image><lastmod>2016-02-14T14:41:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2015/11/20/middle-east-looks-further-east-as-trend-for-korean-art-continues-to-grow/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/11/korea-2.jpg</image:loc><image:title>korea-2</image:title><image:caption>Juyeon Kim's YI:SUK (2015). Courtesy of Maraya Art Centre</image:caption></image:image><lastmod>2016-02-14T14:41:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/01/18/science-fiction-in-the-holy-land/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/01/610b8413f8fe7d0319a74e325fc15a5f_bfd25a40548773335ef361cf468442c92000x1124_quality99_o_1a8r9a09k1j1i18la1poaph71auka.jpg</image:loc><image:title>610b8413f8fe7d0319a74e325fc15a5f_bfd25a40548773335ef361cf468442c92000x1124_quality99_o_1a8r9a09k1j1i18la1poaph71auka</image:title><image:caption>Larissa Sansour, A Space Exodus (2009). Courtesy of the artist.</image:caption></image:image><lastmod>2016-02-14T14:41:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2016/02/08/how-art-is-keeping-alive-the-memory-of-the-2011-egyptian-revolution/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2016/02/d5c78f4b26712aed14fdbbd8201a3ec5_82472bd5c37357b7c24db220564eaa6e1050x787_quality99_o_1a9sg7qe83bk1cvqodp1t6h5jca.jpg</image:loc><image:title>d5c78f4b26712aed14fdbbd8201a3ec5_82472bd5c37357b7c24db220564eaa6e1050x787_quality99_o_1a9sg7qe83bk1cvqodp1t6h5jca</image:title></image:image><lastmod>2016-02-08T14:00:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2015/11/02/fragility-legacy-diversity-a-showcase-of-mena-short-films/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/11/2.png</image:loc><image:title>2</image:title><image:caption>Sabry Bouzid (director), Facing the Sea (2014)</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/11/3.png</image:loc><image:title>3</image:title><image:caption>Mais Salman and Zaid Baqae (directors), Hotel Zaatari (2014)</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/11/4.png</image:loc><image:title>4</image:title><image:caption>Charbel Kamel (director), Ceci n’est pas une menace (This is Not a Threat) (2015)</image:caption></image:image><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/11/1.png</image:loc><image:title>1</image:title><image:caption>Thierry Lledo (director), Pyramids Hostel (2015) </image:caption></image:image><lastmod>2016-01-18T13:51:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2015/10/14/destruction-and-creativity-isis-artefacts-and-art-in-the-middle-east/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/10/img_5332-1000x704.jpg</image:loc><image:title>IMG_5332-1000x704</image:title><image:caption>Morehshin Allahyari, Material Speculation: ISIS (2015-ongoing), Lamassu. </image:caption></image:image><lastmod>2016-01-18T13:42:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2015/10/27/cairo-actually/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/10/nour-el-sherif-2.jpg</image:loc><image:title>nour-el-sherif-2</image:title><image:caption>Yehya (El-Sherif) in a still from Cairo Time</image:caption></image:image><lastmod>2016-01-18T13:38:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com/2015/12/09/the-revolution-within-the-revolution-art-and-syria-today/</loc><image:image><image:loc>https://fanoffanoon.com/wp-content/uploads/2015/12/untitled.png</image:loc><image:title>Untitled</image:title><image:caption>Comic4Syria – Chase. https://informationactivism.org/en/stories/minnesotascreening</image:caption></image:image><lastmod>2016-01-18T13:24:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://fanoffanoon.com</loc><changefreq>daily</changefreq><priority>1.0</priority><lastmod>2016-12-17T21:53:10+00:00</lastmod></url></urlset>
